The set of a play is more than just the background for the action. In a black-box space like ours with no curtain, it's the first thing that an audience member knows about the play; it sets the tone and can lay down thematic foundations for the production. Let's take a deep dive into what the Sister Cities set is telling us. (SPOILERS ahead on a significant plot point.)
Like music, clothing is a good way to subtly clue in an audience about the time frame of a play. Producer Nicole sat down with Caroline, KWLT's costumes manager and the costumer for Sister Cities, and talked about the process of costuming a show as well as the challenges inherent in a period piece where the period is well within living memory.
Part of director Adrienne Dandy's process for her upcoming show Sister Cities was getting into the characters' heads through their musical tastes. Here are some of her thoughts on the role of music in the production.
In this dark comedy, four sisters who are as different as the cities they're named after are reunited after the death of their mother, only to find out that the circumstances of her death are not what they seem and may be intolerable. Old wounds are reopened and the sisters reach a crisis point as they must decide if they can stand together, knowing that the alternative is to fall apart completely.
Written by Hannah Moscovitch
Directed by Ryan Bassett
It’s 1970. Rudi stands outside his father’s study in Paraguay for the first time in seven years. After a long absence, he’s been compelled to return to his family’s home. But Paraguay isn’t his home: he was born in a small hospital in Berlin in 1945, just as his father was losing the war.